The Best Awards were again in full swing for 2023. The team at Strategy Creative, who created the lead campaign, decided it was the time to celebrate. GSM caught up with the team to talk about the "Bestival". The Best Awards, organised by the Designers Institute of New Zealand (DINZ), run every year to celebrate the ‘best’ in the local design scene. And, every year, a new lead campaign promotes entering Best and the awards night (…plus the after party). The team at Strategy Creative is to thank for last year’s campaign. We sat down with the team at Strategy...
Quick Chat Print – Special T
Corey London from Special T Print joins us to discuss starting a printery during challenging times, and the importance of staying true to your core values. Special T Print Based close to the M5 in Kingsgrove, South West Sydney, Special T Print focusses on service (the ‘T’ is for Treatment). Having recently printed the 2024 Ball & Doggett Calendar featuring student work from across Australasia (see article on page 50), we decided to have a chat with Corey London, Managing Director at Special T, to talk about what they do. Here is what Corey had to say; GSM: How did...
Quick Chat Creative – Tony Downing
Industry veteran Tony Downing shares a few thoughts about why print is still very much relevant in marketing. In today’s digital age, where online advertising dominates the marketing landscape, it’s easy to overlook the power of print. A recent encounter at a local café reminded Tony Downing of print materials’ enduring influence and significance in promoting a business. While enjoying breakfast at Bobby Franks in Nelson, I noticed three individuals enthusiastically flipping through the Nelson City Guide beside me. Curiosity sparked, I struck up a conversation and discovered that they were Australian visitors relying on the guide to plan their...
Quick Chat Print – Rawson Print & Packaging
Andrew Price from Rawson Print & Packaging joins us to discuss the importance of diversification and sustainability within the print industry, as well as re-branding. In 2022, Sydney-based Rawson Print & Packaging produced the Ball & Doggett 2023 calendar, showcasing work from last year's BJ Ball and Ball & Doggett Student Design Contest. As part of this, they opened the doors to the student winners and invited them to see their work come to life. This was a great learning opportunity that was well-received. To acknowledge that the team at Rawson went above and beyond—we decided to return and...
Quick Chat Print – Provincial Print
Operating from two different sites in the upper region of New Zealand's South Island, Matt Costello talks to GSM about the unique printing operation he has built, and the pros and cons of being 'provincial'. Blenheim sits amongst the sunny wine growing region of Marlborough on the upper east coast of New Zealand’s South Island. A town of approximately 30,000–the local economy largely comprises of horticulture, wine making and farming. The nearby Lake Grassmere salt works is the only operation of its kind in NZ. It supplies approximately 50% of the nation’s requirements. An hour and twenty minutes drive north-west...
Print Brokering – more than just print
Print brokering has been part of the print industry for decades. However, in more recent times, it is making something of a comeback. GSM talks to Melbourne-based print broker, Simon Fitzgerald, to understand why> GSM: What is ‘Print Brokering’—and how does it work? Simon: In a nutshell, print brokering in any industry is a value-added service connecting customers with suppliers or products. A good example is insurance or mortgage brokering. The brokers in these sectors do not lend money (mortgages) or provide policies (insurance). Their job is to secure the right product, at the right price, for their clients. Specifically,...
A Career in Illustration – Drawing on Design
Continuing our series on starting out in the creative sector - GSM talks to Kiwi Creative Multidisciplinary Bron Alexander> Reading Greg Straight’s article (see GSM18) was captivating. Of course, no two career paths are ever the same—but his story of building a career in illustration off the back of lucky breaks and hard work really resonated. Speed Bumps & Lucky Breaks Creativity was in my blood from an early age. In high school, I made a great decision; I swapped my typing course for art. However, the same year, I found out I was pregnant. Becoming a Mum at 15...
Printing Plus – Diversity in the Printing Industry
In an ever changing business environment—Diversity— can be one way to ensure longevity. GSM talks to Sam Blenkiron from Mirage Visual on the topic> —with Sam Blenkiron @Mirage Visual Established in 1982, Mirage Visual in Palmerston North have grown from a traditional printery to a company offering wide diversity. Over recent times they have brought together a suite of creative services, strategic communications & digital marketing, production and distribution. How has Mirage Visual grown it’s services to deliver end-to-end solutions—and still deliver exceptional results? GSM: What services do Mirage Visual offer? Sam: Our creative department covers everything from marketing...
Rākau Kōrero – Culture Appropriation or Contribution?
TALKING POINT: KIA ORA MAGAZINE & AIR NEW ZEALAND Following on from the first edition of Rākau Kōrero, GSM looks at how one company changes their approach to using expressions of Māori culture. — with Nā Johnson McKay @Ira Trademarking "Kia Ora" We do not need to look too far for examples that highlight issues of cultural appropriation. In 2019, Air New Zealand applied to the Intellectual Property Office of New Zealand (the government body responsible for processing Trademarks and Patents) to trademark the masthead to their inflight magazine, ‘Kia Ora’. This drew opposition from some Māori voices who viewed...
Freelancing: The Art of Starting Out
When is the right time to leave your job and start freelancing? What is it like being self-employed without the safety net of regular wages? GSM talks to kiwi illustrator Greg Straight to hear his story... I started drawing when I was really young. So you could say I’ve been illustrating for 49 years. However, getting started as a commercial illustrator was hard. My wife Hannah and I met in England where we did pretty well in our respective creative fields. I was actually freelancing by the time we left the UK in 2006. Arriving in New Zealand, we bought...