GSM Blog - read more about print on paper.

Deforestation, Reforestation & Sustainable Forestry

reforestation sustainable

What does it all mean? And how does this relate to sustainable paper? We all know that well-managed sustainable forests have multiple benefits for our planet. Forests represent some of the richest biologically diverse areas on Earth. They play a critical role in regulating the climate, population growth and economy. And, of course, what is more soothing for the soul than a forest walk? In 2021, the United Nations hosted the Climate Change Conference (COP26) in Glasgow. Here, they announced there would be renewed focus, and a global commitment, on the subject of Deforestation. Deforestation Deforestation is the activity of...

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Digital Print Specials

digital printing

In this instalment of Education, we look at Digital Printing. Comparing two of the latest technologies— Iridesse and Indigo. We also check out some of the latest embellishments features available. With Nick Marsh @5Digital, Auckland. Photos by Xavier Murphy@xalaphotography ’Digital printing’ is a wide-ranging term that refers to methods of printing directly from ‘computer-to-output’. Technically, this includes the types of laser and inkjet technologies that you might use in a home office. However, at a professional level, this generally refers to commercial technologies that run at significantly faster speeds with much greater capabilities and higher image quality. Digital vs Offset...

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The Theory of Wine

Round Theory Wine

In a saturated retail environment, it is quickly evident there is an abundance of choice when it comes to wine. So, how do new brands gain traction? —with One Design & Round Theory. Round Theory was developed to slot into the market through its unique point-of-difference. By offering a range of ethically made, high-quality vegan wines which are not only a superb drop—but are also about being environmentally responsible. Quoting their own words, ‘Not just good wine, this is wine for good.’ In fact, Round Theory derived it's name from the very concept of taking a circular approach to wine...

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Rākau Kōrero – Culture Appropriation or Contribution?

Appropriation of Culture

TALKING POINT: KIA ORA MAGAZINE & AIR NEW ZEALAND Following on from the first edition of Rākau Kōrero, GSM looks at how one company changes their approach to using expressions of Māori culture. — with Nā Johnson McKay @Ira Trademarking "Kia Ora" We do not need to look too far for examples that highlight issues of cultural appropriation. In 2019, Air New Zealand applied to the Intellectual Property Office of New Zealand (the government body responsible for processing Trademarks and Patents) to trademark the masthead to their inflight magazine, ‘Kia Ora’. This drew opposition from some Māori voices who viewed...

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Rākau Kōrero – respecting Māori culture

When Māori perspectives are not sufficiently valued there is a general suppression of the culture on the one hand and an appropriation of it on the other. GSM talks to Johnson McKay about how creatives can navigate the use of Māori culture in a meaningful and respectful manner... — with Nā Johnson McKay @Ira Welcome to the first instalment of our new regular feature Rākau Kōrero—Talking Stick. In Māori tradition, a ceremonial carved walking stick—a Tokotoko, represents authority and the status of a speaker on a Marae. For GSM, the concept of Rākau Kōrero—is the stick will be passed from speaker...

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BJ Ball Student Design Contest 2021

student design contest

The BJ Ball Student Design Contest was back in 2021— Here's a Look at the 12 Winning Entries... For many years the BJ Ball Calendar was a mainstay design contest for any Tertiary student studying graphic design in New Zealand. The premise was simple—submit a design that answers the brief. Following the contest, the 12 winning entries were featured in the calendar, which went out to print companies and design studios around the country. For the winning students, this meant industry recognition. For BJ Ball, the calendar was a platform to showcase a range of paper stocks. A win-win situation....

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Freelancing: The Art of Starting Out

Greg Straight

When is the right time to leave your job and start freelancing? What is it like being self-employed without the safety net of regular wages? GSM talks to kiwi illustrator Greg Straight to hear his story... I started drawing when I was really young. So you could say I’ve been illustrating for 49 years. However, getting started as a commercial illustrator was hard. My wife Hannah and I met in England where we did pretty well in our respective creative fields. I was actually freelancing by the time we left the UK in 2006. Arriving in New Zealand, we bought...

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Illustration: Drawing on Design

Optimal Workshop

The use of Illustration in design can add freshness and energy to the work. It can also be used to convey complex ideas in a more accessible manner. GSM takes a look at one such project that makes great use of illustration. with Chris Flack @strategycreative, Optimal Workshop, and Loryn Engelsman @lorynengelsman Illustration as a Communication Tool Wellington-based company Optimal Workshop specialises in card-sorting. This is a data information service delivered via a web-based subscription system, OptimalSort. This data guides clients in improving their website’s User Experience (UX). Currently, customers in more than 105 countries subscribe to OptimalSort. In 2021,...

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Balarinji Design Walking The Long Walk

John & Ros Moriarty

The Few of us will leave a legacy as deeply profound as John & Ros Moriarty. Through blending Indigenous & European sensibilities in their design work, they not only helped create the visual expression of ‘Brand Australia’—but have also shown a possible roadmap for the future - a country of many peoples. GSM takes a look… For over 35 years the contribution to ‘visual Australia’ by John, Ros and the Balarinji team has been ground-breaking, to say the least. Both in exposing and celebrating the cultural heritage of Aboriginal and Torres Strait Islander peoples to Australia and the world. John...

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labelling

Design, Print & Stock transform Labelling into “Bottle Art”

GSM takes a look at alcohol & beverage labelling and how, through the right combination of graphic design, print production and choice of stock, a label can transform a product into “Bottle Art”.

The world of Alcohol & Beverage is a highly competitive market. Nowhere is this more evident than in the battle for our attention off-the-shelf. Creating cut through, in particular with labelling, in the busy environment of the retail shelf is very much the holy grail for designers who work in this space.

Multi-Color Corporation (MCC Labels) is a global supplier of premium label solutions, working alongside designers in pursuit of achieving such wondrous feats. John Madden, Production Manager at MCC Labels (NZ), shares with us two labelling projects which stand out. Created twenty years apart, the common denominator between them is the synergy between design, print production and stock.

Jules Taylor Wines Brand & Labelling

labellingJules Taylor sees her love of wine as a simple pleasure to be enjoyed alongside good food and great friends. She firmly believes that wine should be more about creating great memories—and less about status or cellaring potential. For these reasons, Jules left her corporate winemaking career, twenty years ago, to give her the freedom to make wines the way she thinks they should be made.

Labelling Design

labellingSonya McKeefry, from Fresh Designs (Hawkes Bay), created both the brand expression and label design for Jules. Sonya explains, ‘Classic, unpretentious designs appealed to Jules. She wanted a brand and a label that would be timeless and work anywhere in the world.’

Sonya created the motif from the capital ‘J’ and ‘T’ letterforms. The strong vertical lines pay homage to the posts that hold up the plants and the soft ‘W’, the tendrils of the vines they support. As Sonya explains, ‘The label design combines traditional engraved serif fonts with modern sans-serif fonts. The elegant, clean confidence of the label design helps tell the story of a passionate winemaker who knows her craft.’

Print Production

MCC Labels handles production using either digital or offset print, combined with embossing for key elements such as the logo and grape variety. They then finish the label with two matt varnishes for scuff protection.

Labelling Stock

They chose the stock, BJ Ball Aqua Ivory, for both its soft whiteness and grain emboss to add tactile interest. Both allow the brand and the wine to take centre stage. From a practical perspective, it offers excellent moisture resistance. which is an important consideration for a chilled product.
This label does its job on the shelf and looks great when the wine is served!

Timelessness

Fast forward twenty years and Jules has gone on to produce many wines of award winning character that are enjoyed all over the world. The brand is continuing to grow its reach globally whilst still using the same understated label design. Phoebe Rudge, account manager for MCC Labels, describes it as ‘a stunning result— new and existing customers frequently pick it as one of their favourites.’ And, from the designer’s perspective, Sonya says, ‘…I am honoured to have played a small part in the development of the Jules Taylor journey.’

 

Burnt Hill Vodka Labelling

labellingWhen you’ve gone to the trouble of distilling a Spirit eight times and then passing it through a unique lava rock filter to ensure purity and  smoothness—you’ve got a genuine story to tell. Add to this a market of discerning mixologists and consumers—read: the devil is in the detail—your labelling needs to step up to the mark. This all contributed to the co-founders of Burnt Hill Limited, Ben Paul and Nathan Johnston, thinking it was time for a new label design.

Labelling Design

Cue, Joseph Senior from Offworld Design (Auckland). As Joseph explains, ‘This gave me a great opportunity to suggest a new look that, while remaining true to the original, had more visual impact and character. Something that would be bold and intriguing…’.

The final design was very much the result of a collaborative process between the trio and evolved the original label into a sleeker, more modern iteration.

Labelling Stock

As part of the design process, all parties agreed that the choice in labelling stock was very important. It needed to reflect the product’s positioning at the premium end of the Vodka market. However, because of their size, they also had to consider cost. BJ Ball’s new Wausau Bright White Felt ticked all the boxes. It provided the desired texture and thickness—at the right price point.

In addition, the stock contains 30% post-consumer waste. This fits well with Burnt Hill who go to great lengths to use only sustainable materials for their packaging (they even plant a tree for every bottle produced).

Print Production

MCC produced the label digital CMYK on an HP Indigo press, followed by a rose-gold hot foil and a gloss hi-build. They then added two matt varnishes for scuff resistance.

Pre-production meetings between the MCC Labels team, Joseph, Ben and Nathan— ironed out a number of potential technical issues and ensured everybody was on the same page. Of particular concern was the potential for in-fill of some of the fine detail in the rose gold foil. To solve this, they changed some of the fine elements, originally earmarked for foiling, to a printed colour.

John Madden at MCC Labels sums up the final result, ‘The natural texture and tint of the BJ Ball Wausau stock worked well with the design. It printed really well. In particular, the tonal range in the volcanic rock which came up beautifully. How well the foil took across the entire label also impressed us.’

Spectacular Results

labelling burnt hillFrom the client’s perspective, Ben adds, ‘It was essential that our label represented us. Joseph, collabing with the MCC team, pushed the boundaries in this medium to take our concept to the next level. The results are spectacular’. From the design side, Joseph adds, ‘The client was delighted with the result, as am I. The design and print process came together to produce an eye-catching label with both character and modern appeal’

 

 

WHEN YOU’RE ON A ROLL…

MCC Labels printed the Burnt Hill labels on a continuous roll of adhesive substrate, as opposed to sheets. In the world of labelling—the term ‘roll solutions’—refers to adhesive stock substrates supplied to the printer in this manner.

Mass-produced beverage products use roll solution substrates extensively. Machines feed off a continuous roll in order to apply the labels to bottles. Many of these substrates are moisture resistant to ensure the label survives chilled storage.

BJ Ball Packaging is one of New Zealand’s leading specialist suppliers of roll solution products. For more information on the available substrates go to: //bjballpackaging.co.nz

GSM would like to thank MCC Labels, Burnt Hill Vodka and Jules Taylor Wines for assisting in the writing of this article.
This article was originally published in GSM17. To read this and other great articles purchase this issue here.